![]() ![]() The cake is carried before them by the master or one of the guests, two lines are formed of the dancers, and the happy couple dance between the lines to general handclapping. Then the master of ceremonies names the winners. A halt at command when every couple has passed by. Aida Overton Walker dazzled early-twentieth-century theater audiences with her original dance routines, her enchanting singing voice, and her penchant for. The walk over, with its various features, its impromptu steps, and gaiety coming to an end, the question arises, “Who takes the cake?” The couples now march round in all solemnity and bow to the cake en passant. ![]() A cake is placed in the center of the room on a pedestal, the opening bars of the music are played, and the dancers march around. A tall couple leads off, holding up the hands as in a barn dance. The cake-walk may be danced by any number of couples. In the quicker numbers the women should be careful to manage their long skirts gracefully, an art which requires a good deal of practice, and beginners do well to wear the shorter skirts. Check-out the first episode of History, Bitches Black History Month mini-cast series to learn more about Queen of the Cakewalk, Aida Overton-Walker. The Negro melodies which may be played for the dancers are without number. The tempo is between the two-step and the march six-eight time. Born on Valentines day in New York City, Overton began her career in the chorus of Black. The swing, all jauntiness and graceful poise, must come from the shoulders, and the toes must turn well out. Singer, dancer, actress and choreographer. In dancing, all the muscles of the body are brought into play, any effort or fatigue is concealed, the shoulders thrown welll back, the back curved, and the knees bent with suppleness. ![]()
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